亚洲淫欲,免费成人在线电影,91色网站,www.国产视频,刘亦菲人久久精品二区三区,久久九九爱,久久爱另类一区二区小说

首頁電影秋豐滿月時評分0.0分

秋豐滿月時

導(dǎo)演:AmarsaikhanBaljinnyam 編劇:AmarsaikhanBaljinnyam 

主演:Amarsaikha更多

年份:2022 類型:劇情  

地區(qū):蒙古 

狀態(tài):高清

《秋豐滿月時》劇情介紹

《秋豐滿月時》是由AmarsaikhanBaljinnyam執(zhí)導(dǎo),AmarsaikhanBaljinnyam編劇,AmarsaikhanBaljinn等明星主演的劇情,電影。

HARVESTMOONexplorestheinnerworldofachildandofaman,andtheirrelationshiptotheirfathers.Whenhisfathergetsseriouslyill,Tulgaawhoworksasachefinthecitytravelsbacktohisvillage.Soonthefatherdies,andhedecidestostaytofulfilltheharvestinghisfatherpromisedtodo.Whileworkinginthefieldhemeetsatenyearsoldboy,Tuntuulei,wholivesalonewithhisgrandparentswhilehissinglemotherworksinthecity.ThesharingandtherelationbetweenTulgaaandTuntuuleimakethemchallengetheirownself.

《秋豐滿月時》制片國家/地區(qū)為蒙古。該電影評分0.0分,評分人數(shù)61人。

《秋豐滿月時》評論

同類型電影

  • 更新HD

    危笑2

    娜奧米·斯科特,羅絲瑪麗·德薇特,盧卡斯·蓋奇,邁爾斯·古鐵雷斯-賴?yán)?彼得·雅各布森,雷·尼科爾森,迪蘭·格魯拉,勞爾·卡斯提洛,凱爾·加爾納,德魯·巴里摩爾,澤貝迪·羅,羅伯茨·杰卡布森,肖恩·斯托爾森,喬恩·魯阿,弗拉基米爾·杜西爾斯,克里斯汀·約翰遜,瑪戈特·溫特勞布,克里斯多福?貝里,克洛伊·萊斯,凱特琳·克拉西

  • 更新HD

    哪吒之魔童鬧海

    呂艷婷,囧森瑟夫,瀚墨,陳浩,綠綺,張珈銘,楊衛(wèi),雨辰,周泳汐,韓雨澤,南嶼,零柒,良生

  • 更新HD

    夏日風(fēng)暴

    羅伯特·施塔德洛伯,科斯蒂亞·烏爾曼,艾麗卡·巴赫蕾達(dá)-庫魯斯,Jürgen Tonkel

  • 更新HD

    無盡

    考莉·埃爾南德斯,詹姆斯·喬丹,塔特·艾靈頓,賈斯汀·本森,盧·坦普爾,艾米莉·蒙塔蓋,艾倫·穆爾黑德,彼得·奇萊拉,David Clarke Lawson Jr.

  • 更新HD

    我的老婆是大佬2

    申恩慶,樸俊奎,李元宗,金仁權(quán),章子怡

  • 正片

    熱牛奶

    艾瑪·麥基,薇姬·克里普斯,費(fèi)奧納·肖,文森特·佩雷斯,雅恩·蓋爾,尤爾格斯·錢圖拉斯,Korina,Gougouli,瓦斯利·特斯格里斯塔利斯,Paris,Thomopoulos,Electra,Sarri,Denia,Mimerini,Dimitris,Oikonomidis,Kostas,Tatarakis

  • 正片

    誠實(shí)的生活

    西蒙·盧夫,諾拉·里奧斯,彼得·安德森,Nathalie,Merchant,威利·拉姆內(nèi)克·佩特里,Arvid,von,Heland,Christoffer,Rigeblad,Fabian,Hedlund,Lucas,Grimstedt,Alice,Andersson,Lovisa,Niileksel?,Eline,Hansson,Christian,Blad

《秋豐滿月時》影評

0有用

Vancouver2022Review:HARVESTMOON,SimplebutTenderExplorationof(Step)fatherhood

One of the high-profile actors from Mongolia, Amarsaikhan Baljinnyam is mostly known for his tough-guy roles in the Trapped Abroad action flicks and Netflix's Marco Polo, where he plays Kublai Khan's brother Ariq B?ke. This time, the audience gets to see the everyday man in him in his directorial debut, Harvest Moon, where he plays Tulgaa, a mild-mannered chef in Ulaanbaatar who is facing a dilemma in his life.

When the news of his stepfather's falling ill reaches him, Tulgaa returns to the countryside to fulfill his filial duties and agrees to finish the hay harvesting his old man promised to do. There he meets Tuntuulei (Tenuun-Erdene Garamkhand), a cocky ten-year-old who lives with his grandparents while his single mother works in the city.

There is certainly more to Tuntuulei than meets the eye. "A weak man stumbles on a blunt scythe," he mockingly says upon seeing Tulgaa's blistered hand. Besides having a full inventory of literary zingers, the preteen hero rolls his grandfather's cigarettes with dexterity and regularly curses with nonchalance, albeit often not fully understanding what he says. In some respects, the boy has matured beyond his years in the absence of his parents.

Adapted from Bum-Erdene Tumenbayar's short story, the movie is essentially a two-hander, a tale of a man and a child bonding, with all other characters in the background. Desiring a break from home life with his grandparents, Tuntuulei starts palling around with Tulgaa at every opportunity and the two develop a nurturing relationship.

Amarsaikhan brings a quotidian demeanor to his performance, differentiating Tulgaa from the usual curmudgeon trope in this genre while proving himself to be a versatile actor. With already a dozen credits under his belt, Tenuun-Erdene earns admiration for his convincing portrayal of a sharp-tongued countryside kid.

Perhaps thanks to the director's acting experience, the cast as a whole puts in a natural performance without awkward, dramatic delivery of lines -- a rather unfortunate and common problem in many Mongolian productions, most recently evinced in the Best Feature winner at this year's New York Asian Film Festival, Janchivdorj Sengedorj's The Sales Girl.

Neither Tulgaa nor Tuntuulei ever met his biological father and the two are drawn to each other, given their shared emotional wound. The story starts on this familiar path and moves quite predictably towards a heart-tugging destination that one can guess ten minutes into the film once the tone is set.

But sometimes it is more about the execution than the freshness of the story. Amarsaikhan handles the material with grace and charm. The script could easily have been reworked into a full-on mistaken-identity comedy, especially given that many of the supporting actors are actually comedians, but the director lends a more matter-of-fact quality to the project while inserting a few humorous moments. "Who needs this garbage? I'm not a kid," Tuntuulei scoffs when Tulgaa asks him if he wants to buy a toy in one scene, which then immediately cuts to Tuntuulei singing along to "If You're Happy And You Know It," immersed in a children's puppet theater.

The actor-producer-turned-director keeps the story emotional while avoiding veering off to schmaltz. Some beautiful dialogue inevitably gets lost in translation and a few parts of the English subtitles are outright inaccurate, containing sentences that are not spoken and thus altering characterization (take Tuntuulei's phone call with his mother, for example). The film has virtually no nondiegetic sound and its communicative, telling silences help set a light tone. Bayarsaikhan Batsukh's well-paced editing also helps reduce sentimental excess in the 90-minute running time.

Although an early indoor scene could have benefited from better lighting to not let the unstable shadow distract attention, the camerawork on the whole remains competent to drive the story forward. The cinematography is by Josua Fischer, who worked on the 2019 mediocre action flick The Mongolian Connection, also starring Amarsaikhan, and offers in fits and starts a hauntingly beautiful view of the eastern Mongolian countryside.

The later painterly shots of the hayfield remind one of Mongolian painter Odon Geleg's masterpiece, "After Work," but Fischer knows better than to exhibit long shots of idyllic landscapes in succession. In fact, the film proves quite successful in its authentic depiction of life on the Mongolian steppe and does not resort to self-exoticism and cinematic cultural tourism -- a judgment that might not be shared by everyone in one scene with dancing and singing around a bonfire.

Impressively polished by first-feature standards, Amarsaikhan's exploration of (step)fatherhood in Harvest Moon is undeniably simple but achingly tender, which might well prove to be a winning combination at Vancouver.

The film enjoys its world premiere in the Vanguard Section at the 41st edition of the Vancouver International Film Festival.

Originally published on Screen Anarchy.

這篇影評有劇透

Sitemap冀ICP備15003424號

Copyright ? 2020-2025 m.hhscjgc.com [天龍影院]

電影

劇集

綜藝

動漫

$urls = array('http://m.hhscjgc.com/h/2.html','http://m.hhscjgc.com/h/1.html','http://m.hhscjgc.com/rss/baidu.xml');$api = 'http://data.zz.baidu.com/urls?site=m.hhscjgc.com&token=Hf4VKEPpzMIENlJY';$ch = curl_init();curl_setopt($ch, CURLOPT_URL, $api);curl_setopt($ch, CURLOPT_POST, true);curl_setopt($ch, CURLOPT_RETURNTRANSFER, true);curl_setopt($ch, CURLOPT_POSTFIELDS, implode("\n", $urls));$result = curl_exec($ch);echo $result;
乐业县| 德格县| 囊谦县| 司法| 抚顺县| 张北县| 岗巴县| 内丘县| 诸城市| 广灵县| 开鲁县| 四子王旗| 惠安县| 鹿泉市| 顺昌县| 南宁市| 陆丰市| 芒康县| 铜梁县| 集贤县| 囊谦县| 方城县| 新建县| 阿拉尔市| 梁平县| 邹平县| 合山市| 永春县| 太白县| 新泰市| 尚志市| 佛冈县| 汝阳县| 瑞昌市| 定边县| 平安县| 芒康县| 威海市| 渝中区| 呈贡县| 库伦旗|