《愛(ài)麗斯餐廳》是一部改編自阿洛·古斯瑟里的歌曲的電影，屬于喜劇類(lèi)型。劇情圍繞著阿洛幫助愛(ài)麗斯送垃圾到垃圾場(chǎng)展開(kāi)，但因?yàn)槔鴪?chǎng)關(guān)閉，他將垃圾扔進(jìn)了峽谷底部的垃圾堆。警長(zhǎng)發(fā)現(xiàn)后展開(kāi)了搜捕行動(dòng)，阿洛在法庭上幸存下來(lái)，但這段經(jīng)歷一直困擾著他。后來(lái)，阿洛被征召入伍，這段經(jīng)歷讓他更加困惑不解。電影以阿洛的旁白和音樂(lè)為引導(dǎo)，通過(guò)歌曲的旋律展開(kāi)劇情。

這篇影評(píng)可能有劇透

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Alice's Restaurant is a 1969 American comedy film directed by Arthur Penn. It is an adaptation of the 1967 folk song "Alice's Restaurant Massacree", originally written and sung by Arlo Guthrie. The film stars Guthrie as himself, with Pat Quinn as Alice Brock and James Broderick as Ray Brock. Penn, who resided in the story's setting of Stockbridge, Massachusetts, co-wrote the story with Venable Herndon in 1967 after hearing the song, shortly after completing Bonnie & Clyde.

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Alice's Restaurant was released on August 19, 1969, a few days after Guthrie appeared at the Woodstock Festival. A soundtrack album for the film was also released by United Artists Records. The soundtrack includes a studio version of the title song, which was originally divided into two parts (one for each album side); a 1998 CD reissue on the Rykodisc label presents this version of the song in full, and adds several bonus tracks to the original LP.

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In 1965, Arlo Guthrie (as himself) has attempted to avoid the draft by attending college in Montana. His long hair and unorthodox approach to study gets him in trouble with local police as well as residents. He quits school, and subsequently hitchhikes back East. He first visits his father Woody Guthrie (Joseph Boley) in the hospital.

Arlo ultimately returns to his friends Ray (James Broderick) and Alice Brock (Pat Quinn) at their home, a deconsecrated church in Great Barrington, Massachusetts where they welcome friends and like-minded bohemian types to "crash". Among these are Arlo's school friend Roger (Geoff Outlaw) and artist Shelley (Michael McClanathan), an ex-heroin addict who is in a motorcycle racing club. Alice is starting up a restaurant in nearby Stockbridge. Frustrated with Ray's lackadaisical attitude, she has an affair with Shelley, and ultimately leaves for New York to visit Arlo and Roger. Ray comes to take her home, saying he has invited a "few" friends for Thanksgiving.

The central point of the film is the story told in the song: After Thanksgiving dinner, Arlo and his friends decide to do Alice and Ray a favor by taking several months worth of garbage from their house to the town dump. After loading up a red VW microbus with the garbage, and "shovels, and rakes and other implements of destruction", they head for the dump. Finding the dump closed for the holiday, they drive around and discover a pile of garbage that someone else had placed at the bottom of a short cliff. At that point, as mentioned in the song, "...we decided that one big pile is better than two little piles, and rather than bring that one up we decided to throw ours down."

The next morning they receive a phone call from "Officer Obie" (Police Chief William Obanhein as himself), who asks them about the garbage. After admitting to littering, they agree to pick up the garbage and to meet him at the police officers' station. Loading up the red VW microbus, they head to the police station where they are immediately arrested.

As the song puts it, they are then driven to the quote scene of the crime unquote where the police are engaged in a hugely elaborate investigation. At the trial, Officer Obie is anxiously awaiting the chance to show the judge the 27 8x10 color glossy photos of the crime but the judge (James Hannon as himself) happens to be blind, using a seeing eye dog, and simply levies a $50 fine, orders them to pick up the garbage and then sets them free. The garbage is eventually taken to New York and placed on a barge. Meanwhile, Arlo has fallen in love with a beautiful Asian girl, Mari-chan (Tina Chen).

Later in the movie, Arlo is called up for the draft, in a surreal depiction of the bureaucracy at the New York City military induction center on Whitehall Street. He attempts twice to make himself unfit for induction, first by getting drunk the night before and performing the physical exams while hung over, then by acting like a homicidal maniac in front of the psychiatrist, but fails both times (the latter incident actually gets him praise). Because of Guthrie's criminal record for littering, he is first sent to the Group W bench (where convicts wait), then outright rejected as unfit for military service, not because of the littering incident, but because the government is suspicious of "his kind" and instead opted to submit his personal records to Washington, DC.

Upon returning to the church, Arlo finds Ray and members of the motorcycle club showing home movies of a recent race. Shelley enters, obviously high, and Ray beats him until he reveals his stash of heroin, concealed in some art he has been working on. Shelley roars off into the night on his motorcycle to his death; the next day, Woody dies. Ray and Alice have a hippie-style wedding in the church, and a drunken Ray proposes to sell the church and start a country commune instead, revealing that he blames himself for Shelley's death. The film ends with Alice standing alone in her bedraggled wedding gown on the church steps.

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Arlo Guthrie as Himself

Pat Quinn as Alice Brock

James Broderick as Ray Brock

Pete Seeger as Himself

Lee Hays as Himself – Reverend at Evangelical Meeting

Michael McClanathan as Shelly

Geoff Outlaw as Roger Crowther

Tina Chen as Mari-chan

Kathleen Dabney as Karin

William Obanhein as Himself – Officer Obie

James Hannon as Himself – the blind judge

Seth Allen as Evangelist

Monroe Arnold as Bluegrass

Joseph Boley as Woody Guthrie

Vinnette Carroll as Draft Clerk

Sylvia Davis as Marjorie Guthrie

Simm Landres as Private Jacob / Jake

Eulalie Noble as Ruth

Louis Beachner as Dean

MacIntyre Dixon as First Deconsecration Minister

Arthur Pierce Middleton as Second Deconsecration Minister

Donald Marye as Funeral Director

Shelley Plimpton as Reenie

M. Emmet Walsh as Group W Sergeant

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The real Alice Brock makes a number of cameo appearances in the film. In the scene where Ray and friends are installing insulation, she is wearing a brown turtleneck top and has her hair pulled into a ponytail. In the Thanksgiving dinner scene, she is wearing a bright pink blouse. In the wedding scene, she is wearing a Western-style dress.

Stockbridge police chief William Obanhein ("Officer Obie") plays himself in the film, explaining to Newsweek magazine that making himself look like a fool was preferable to having somebody else make him look like a fool.Judge James E. Hannon, who presided over the littering trial, also appears as himself in the film.Many of Guthrie's real-life associates in Stockbridge made appearances as extras, and Penn, who himself had a home in Stockbridge,spent time living among them in an effort to grasp their lifestyle.Guthrie and all of the extras were housed at the same hotel during filming of scenes outside Stockbridge, but Guthrie received star treatment; a limousine was provided for Guthrie each morning while the others had to find their own transportation for filming. This strained the relations between Guthrie and his friends for many years.Much of the film was recorded in Stockbridge.

The film also features the first credited film appearance of character actor M. Emmet Walsh, playing the Group W sergeant. (Walsh had previously appeared as an uncredited extra in Midnight Cowboy, released three months prior.) The film also features cameo appearances by American folksingers/songwriters Lee Hays (playing a reverend at an evangelical meeting) and Pete Seeger (playing himself).

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The original song "Alice's Restaurant Massacree" that formed the basis for the film's central plotline was, for the most part, a true story. However, other than this and the hippie wedding at the end of the film, most of the other events and characters in the film were fictional creations of the screenplay's writers. According to Guthrie, commenting in the DVD's audio commentary section, the film used the names of real people but took numerous liberties with actual events. Richard Robbins, Guthrie's co-defendant in real-life, was replaced by the fictional Roger Crowther for the film (in the song, he remained anonymous). The subplots involving the Shelly character were completely fictional and not based on any real people or incidents in Guthrie's life;his character's motorcycle club was loosely based on the Trinity Motorcycle Club (or, by a conflicting account, the Triangle Motorcycle Club), a real-life group of cyclists that associated with the Brocks and were alluded to in another Guthrie song, the "Motorcycle Song."The film also has Guthrie being forced to leave a Montana town after "creating a disturbance" – i.e., several town residents object to Guthrie's long hair, and gang up to throw him through a plate glass window. This never happened, and Guthrie expresses regret that Montana got a "bad rap" in the film. In reality, during the time of the littering incident and trial, Guthrie was still enrolled in a Montana college, and was only in Stockbridge for the long Thanksgiving weekend (he would drop out of college at the end of the semester).

Alice Brock has spoken very negatively of the film's portrayal of her. She stated in a 2014 interview "That wasn’t me. That was someone else’s idea of me."She took particular offense at the film falsely implying that she had slept with Guthrie (among others) and noted that she had never associated with heroin users.She also noted that the song and film brought a large amount of unwanted publicity: "It just really impinged on your privacy. It’s just amazing how brazen people can be when you’re a supposed public figure(…) We sold the church at that point." Richard Robbins, who did not consent to his likeness being used in the film, described almost all the additions to the story as "all fiction" and "complete bull."

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Critical reception of the film has wavered between seeing the film as light entertainment and as a political statement. In 2009, Politics Daily wrote that, "calling the 1969 film a comedy misses its noir backbeat of betrayed romanticism, and thinking of it as a madcap autobiography misses its politics. This is a movie driven by the military draft and the Vietnam War".

Upon its initial release, Newsweek called the film "the best of a number of remarkable new films which seem to question many of the traditional assumptions of establishment America."

When interviewed in 1971, the film's director, Arthur Penn, said of the film: "What I tried to deal with is the US's silence and how we can best respond to that silence. ... I wanted to show that the US is a country paralyzed by fear, that people were afraid of losing all they hold dear to them. It's the new generation that's trying to save everything".

In being offered the opinion that violence is not so important in the film, Penn replied: "Alice's Restaurant is a film of potential transition because the characters know, in some way, what they are looking for. ... It's important to remember that the characters in Alice's Restaurant are middle-class whites. They aren't poor or hungry or working class. They are not in the same boat as African Americans. But they're not militants either. In this respect the church dwellers are not particularly threatening. They find it easy to live there, even if most people can't afford such a luxury. From this point of view, this film depicts a very specific social class. It's a bourgeois film".

The final scene is not of a loving couple seeing off their guests, but of Alice standing alone looking into the distance, watching the guests leave, as if knowing that her future is in fact bleak with Ray.Coincidentally, the real Alice and Ray finalized their divorce on the same day the wedding scene was filmed.Arthur Penn has said that the final scene was intended as comment on the inevitable passing of the counterculture dream: "In fact, that last image of Alice on the church steps is intended to freeze time, to say that this paradise doesn’t exist any more, it can only endure in memory".Gene Siskel of the Chicago Tribune listed Alice's Restaurant as third best film of 1969.

The film grossed $6,300,000in the United States, making it the 23rd highest-grossing film of 1969.

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Nominated for Academy Award for Best Director (1969) – Arthur Penn

Nominated for Writers Guild of America Award for Best Drama Written Directly for the Screen (1970) – Venable Herndon, Arthur Penn

Third Place – Laurel Awards – Golden Laurel for Comedy (1970)

Nominated for British Academy of Film and Television Arts Awards – Anthony Asquith Award for Film Music (1971) – Arlo Guthrie

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一部由 Arthur Penn執(zhí)導(dǎo)的1969年美國(guó)喜劇電影。它改編自1967年的民歌 “ Alice's Restaurant Massacree ”，最初是由 Arlo Guthrie編寫(xiě)和演唱的。這部電影以Guthrie為自己，而 Pat Quinn飾演Alice Brock， James Broderick飾演Ray Brock。住在馬薩諸塞州斯托克布里奇故事中的佩恩在完成邦妮和克萊德之后不久，在聽(tīng)完這首歌后，于1967年與維納特赫恩頓共同撰寫(xiě)了這個(gè)故事。

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愛(ài)麗絲餐廳于1969年8月19日在格思里出席伍德斯托克音樂(lè)節(jié)后幾天發(fā)布。一個(gè)原聲專(zhuān)輯為影片也被發(fā)布了美國(guó)藝術(shù)家的記錄。電影配樂(lè)包括主打歌的演播室版本，最初分為兩個(gè)部分（每個(gè)專(zhuān)輯一個(gè)部分）; 關(guān)于Rykodisc標(biāo)簽的1998年CD重新發(fā)行，完整地展示了這首歌的版本，并為原版LP添加了幾首獎(jiǎng)勵(lì)曲目。

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1965年，Arlo Guthrie（他本人）試圖通過(guò)在蒙大拿州上大學(xué)來(lái)避免選秀。他的長(zhǎng)發(fā)和非正統(tǒng)的學(xué)習(xí)方式使他與當(dāng)?shù)鼐旌途用褚黄鹣萑肜Ь场Ｋ藢W(xué)了，隨后又回到了東部。他首先在醫(yī)院探望他的父親Woody Guthrie（Joseph Boley）。

Arlo最終回到了他的朋友Ray（James Broderick）和Alice Brock（Pat Quinn）的家中，這是一家位于馬薩諸塞州Great Barrington的deconsecrated教堂，他們歡迎朋友和志同道合的波西米亞風(fēng)格“崩潰”。其中有奧爾羅的學(xué)校的朋友羅杰（杰夫·奧特洛）和藝術(shù)家雪萊（邁克爾·麥克納森），一名前海洛因成癮者誰(shuí)是在飆車(chē)俱樂(lè)部。愛(ài)麗絲正在斯托克布里奇附近開(kāi)辦一家餐館。她對(duì)雷的缺乏態(tài)度感到沮喪，她與雪萊有染，最終離開(kāi)紐約前往阿羅和羅杰。雷來(lái)帶她回家，說(shuō)他邀請(qǐng)了一些“少數(shù)”朋友參加感恩節(jié)。

影片的中心點(diǎn)是歌曲中講述的故事：感恩節(jié)晚餐后，阿羅和他的朋友們決定通過(guò)從他們的房子到城鎮(zhèn)垃圾場(chǎng)拿幾個(gè)月的垃圾來(lái)幫助愛(ài)麗絲和雷。在裝滿(mǎn)垃圾的紅色大眾微型客車(chē)，以及“鏟，耙和其他破壞工具”后，他們前往垃圾場(chǎng)。他們?cè)诩偃掌陂g找到了傾倒的垃圾場(chǎng)，他們四處奔波，發(fā)現(xiàn)了一堆垃圾，其他人放在了一個(gè)短暫的懸崖底部。那時(shí)，正如歌曲中提到的那樣，“......我們決定一大堆比兩個(gè)小樁更好，而不是把它們拿起來(lái)，我們決定放棄它們。”

第二天早上，他們接到“奧比軍官”（警察局局長(zhǎng)威廉·奧班海恩自己）打來(lái)的電話(huà)，問(wèn)他們垃圾。在承認(rèn)亂扔垃圾后，他們同意拿起垃圾并在警察局接他。加載紅色大眾微型客車(chē)，他們前往警察局，他們立即被捕。

正如歌曲所說(shuō)，然后他們被驅(qū)逐到犯罪的報(bào)價(jià)場(chǎng)景中，警察正在進(jìn)行一項(xiàng)非常精細(xì)的調(diào)查。在審判中，奧比官員焦急地等待有機(jī)會(huì)向法官展示27張8x10彩色光澤的犯罪照片，但法官（詹姆斯?jié)h農(nóng)本人）恰好是盲人，使用看眼狗，并簡(jiǎn)單征收罰款50美元命令他們拿起垃圾，然后將它們釋放。垃圾最終被運(yùn)往紐約并被放置在駁船上。與此同時(shí)，Arlo愛(ài)上了一位漂亮的亞洲女孩Mari-chan（Tina Chen）。

在電影的后期，Arlo被邀請(qǐng)參加選秀，對(duì)紐約市白廳街軍事導(dǎo)游中心的官僚主義進(jìn)行了超現(xiàn)實(shí)的描繪。他試圖兩次使自己不適合上腹部，首先是前一天晚上喝醉并在懸掛時(shí)進(jìn)行身體檢查，然后在精神科醫(yī)生面前表現(xiàn)得像一個(gè)兇惡的瘋子，但兩次失敗（后者事件實(shí)際上讓他贊美）。由于Guthrie的亂扔垃圾的犯罪記錄，他首先被送到W組的替補(bǔ)席（囚犯等待），然后完全被拒絕服兵役，不是因?yàn)閬y扔垃圾事件，而是因?yàn)檎畱岩伞八哪欠N”而是選擇將他的個(gè)人記錄提交給華盛頓特區(qū)。

回到教堂后，阿羅找到了雷和摩托車(chē)俱樂(lè)部的成員，他們展示了最近一場(chǎng)比賽的家庭電影。雪萊進(jìn)入，顯然很高，雷擊敗了他，直到他露出海洛因的藏匿處，隱藏在他一直在研究的一些藝術(shù)品中。雪萊在他的摩托車(chē)上咆哮到深夜，直到死亡; 第二天，伍迪死了。雷和愛(ài)麗絲在教堂里舉行了一場(chǎng)嬉皮風(fēng)格的婚禮，一個(gè)醉酒的雷建議賣(mài)掉教堂，開(kāi)始建立一個(gè)鄉(xiāng)村公社，這表明他為雪萊的死感到憤怒。影片以愛(ài)麗絲獨(dú)自站在教堂臺(tái)階上的混亂婚紗禮服結(jié)束。

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Arlo Guthrie就是他自己

Pat Quinn飾演Alice Brock

James Broderick飾演Ray Brock

Pete Seeger就是他自己

李海斯自己 - 在福音派會(huì)議上牧師

作為雪莉的Michael McClanathan

Geoff Outlaw飾演Roger Crowther

Tina Chen飾演Mari-chan

Kathleen Dabney飾演Karin

William Obanhein飾演自己 - 奧比軍官

詹姆斯?jié)h農(nóng)作為自己 - 盲目的法官

塞思艾倫擔(dān)任布道者

夢(mèng)露阿諾德飾演藍(lán)草

約瑟夫博利飾演伍迪格思里

Vinnette Carroll擔(dān)任草案文員

Sylvia Davis飾演Marjorie Guthrie

Simm Landres作為私人雅各布/杰克

Eulalie Noble飾演露絲

Louis Beachner飾演Dean

麥金太爾·迪克森擔(dān)任第一任譴責(zé)部長(zhǎng)

亞瑟·皮爾斯·米德?tīng)栴D擔(dān)任第二次退役部長(zhǎng)

Donald Marye擔(dān)任葬禮總監(jiān)

Shelley Plimpton飾演Reenie

M. Emmet Walsh擔(dān)任W組中士

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真正的愛(ài)麗絲布洛克在電影中出演了許多客串。在Ray和朋友正在安裝保溫材料的場(chǎng)景中，她穿著棕色高領(lǐng)上衣，頭發(fā)被扎成馬尾辮。在感恩節(jié)晚餐現(xiàn)場(chǎng)，她穿著一件亮粉色的上衣。在婚禮現(xiàn)場(chǎng)，她穿著西式禮服。

Stockbridge警察局長(zhǎng)William Obanhein（“奧比軍官”）在電影中飾演自己，向“新聞周刊”雜志解釋說(shuō)讓自己看起來(lái)像個(gè)傻瓜比讓別人讓他看起來(lái)像個(gè)傻瓜更可取。主持亂拋垃圾審判的法官詹姆斯·漢農(nóng)（James E. Hannon）也出現(xiàn)在電影中。Guthrie在Stockbridge的許多現(xiàn)實(shí)生活中扮演的角色都是臨時(shí)演員，Penn本人在Stockbridge有家，花時(shí)間與他們共同生活，努力掌握他們的生活方式。Guthrie和所有演員在拍攝Stockbridge外面的場(chǎng)景時(shí)被安置在同一家酒店，但Guthrie獲得了明星待遇; 每天早上為Guthrie提供一輛豪華轎車(chē)，而其他人則必須找到自己的拍攝交通工具。這使Guthrie和他的朋友之間的關(guān)系多年來(lái)緊張。這部電影大部分都是在斯托克布里奇錄制的。

這部電影還有角色演員M. Emmet Walsh首次亮相的電影，扮演W組中士。（Walsh此前曾在午夜牛仔中出現(xiàn)過(guò)三個(gè)月前發(fā)布的未經(jīng)授權(quán)的額外內(nèi)容。）這部電影還有美國(guó)民謠歌手/詞曲作者Lee Hays（在福音派會(huì)議上扮演一個(gè)牧師）和Pete Seeger（扮演自己）的角色出場(chǎng)。

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原本歌曲“愛(ài)麗絲的餐廳大屠殺”構(gòu)成了電影中央情節(jié)線(xiàn)的基礎(chǔ)，在很大程度上是一個(gè)真實(shí)的故事。然而，除了這個(gè)以及電影結(jié)尾的嬉皮婚禮，電影中的大多數(shù)其他事件和角色都是劇本作家的虛構(gòu)創(chuàng)作。據(jù)Guthrie在DVD的音頻評(píng)論部分評(píng)論，這部電影使用了真人的名字，但卻對(duì)實(shí)際事件采取了許多自由。古斯里在現(xiàn)實(shí)生活中的共同被告理查德羅賓斯被電影中的虛構(gòu)羅杰克勞瑟所取代（在歌曲中，他仍然是匿名的）。涉及雪莉角色的次要情節(jié)完全是虛構(gòu)的，并非基于格思里生活中任何真實(shí)的人或事件; 他的角色的摩托車(chē)俱樂(lè)部基于三位一體的摩托車(chē)俱樂(lè)部（或者，由一個(gè)相互沖突的賬戶(hù)，三角摩托車(chē)俱樂(lè)部），一群真實(shí)的騎自行車(chē)者，與布洛克斯有關(guān)，并在另一個(gè)Guthrie歌曲中提到， “摩托車(chē)之歌”。這部電影還讓Guthrie在“制造干擾”之后被迫離開(kāi)蒙大拿州的城鎮(zhèn) - 也就是說(shuō)，幾個(gè)城鎮(zhèn)居民反對(duì)Guthrie的長(zhǎng)發(fā)，并幫他把他扔進(jìn)一個(gè)平板玻璃窗。這從未發(fā)生過(guò)，Guthrie對(duì)蒙大拿在電影中遭遇“糟糕說(shuō)唱”表示遺憾。實(shí)際上，在亂扔垃圾事件和審判期間，Guthrie仍然在蒙大拿州大學(xué)就讀，并且在感恩節(jié)長(zhǎng)周末只在Stockbridge（他將在學(xué)期結(jié)束時(shí)輟學(xué)）。

5

愛(ài)麗絲布洛克對(duì)電影對(duì)她的描寫(xiě)非常消極。她在2014年的采訪(fǎng)中說(shuō)：“那不是我。這是別人對(duì)我的想法。” 她對(duì)這部電影采取了特別的攻擊，錯(cuò)誤地暗示她曾與格思里（以及其他人）一起睡過(guò)，并指出她從未與海洛因使用者聯(lián)系過(guò)。她還指出，這首歌和電影帶來(lái)了大量不必要的宣傳：“它只是真正影響了你的隱私。當(dāng)你是一個(gè)被認(rèn)為的公眾人物時(shí)，這是多么令人驚訝的人們是無(wú)恥的.....我們賣(mài)掉了那時(shí)的教堂。”理查德·羅賓斯（Richard Robbins）不同意他在電影中使用的肖像，他將故事的幾乎所有內(nèi)容描述為“所有小說(shuō)”和“完整的公牛”。電影的重要接受在將電影視為輕娛樂(lè)和政治聲明之間搖擺不定。2009年，“ 政治日?qǐng)?bào)”寫(xiě)道，“將這部1969年的電影稱(chēng)為喜劇片，錯(cuò)過(guò)了其背叛浪漫主義的黑色背景，并將其視為瘋狂的自傳，錯(cuò)過(guò)了它的政治。這是一部由軍事選秀和越南戰(zhàn)爭(zhēng)驅(qū)動(dòng)的電影”。

“新聞周刊”最初發(fā)行時(shí)稱(chēng)這部電影是“許多非凡的新電影中最好的，這些電影似乎質(zhì)疑了建立美國(guó)的許多傳統(tǒng)假設(shè)”。

電影導(dǎo)演阿瑟·佩恩在1971年接受采訪(fǎng)時(shí)談到了這部電影：“我試圖解決的是美國(guó)的沉默，以及我們?nèi)绾尾拍茏詈玫鼗貞?yīng)這種沉默.......我想表明美國(guó)是一個(gè)國(guó)家因害怕而陷入癱瘓，人們害怕失去他們所珍視的一切。這是新一代人試圖拯救一切“。

在提出暴力在電影中不那么重要的觀點(diǎn)時(shí)，佩恩回答說(shuō)：“ 愛(ài)麗絲餐廳是一部潛在過(guò)渡的電影，因?yàn)榻巧谀撤N程度上知道他們?cè)趯ふ沂裁础?..重要的是要記住愛(ài)麗絲餐廳的人物都是中產(chǎn)階級(jí)白人。他們不是貧窮或饑餓或工人階級(jí)。他們與非裔美國(guó)人不在同一條船上。但他們也不是武裝分子。在這方面，教會(huì)居民并不是特別的他們覺(jué)得住在那里很容易，即使大多數(shù)人都買(mǎi)不起這樣的奢侈品。從這個(gè)角度來(lái)看，這部電影描繪了一個(gè)非常具體的社會(huì)階層。這是一部資產(chǎn)階級(jí)電影“。

最后一幕不是一對(duì)情侶看到他們的客人，而是愛(ài)麗絲獨(dú)自站在遠(yuǎn)處看著客人離開(kāi)，仿佛知道她的未來(lái)實(shí)際上是對(duì)雷的黯淡。巧合的是，真正的愛(ài)麗絲和雷在拍攝婚禮現(xiàn)場(chǎng)的同一天完成了他們的離婚。亞瑟·佩恩曾表示，最后一幕的目的是評(píng)論反文化夢(mèng)想不可避免的傳遞：“事實(shí)上，愛(ài)麗絲在教堂臺(tái)階上的最后一張照片是為了凍結(jié)時(shí)間，說(shuō)這個(gè)天堂沒(méi)有。” 它不再存在，它只能在記憶中存在”。 “ 芝加哥論壇報(bào)”的吉恩·西斯克爾將愛(ài)麗絲餐廳列為1969年第三好的電影。

這部電影在美國(guó)票房收入6,300,000美元，成為1969年票房收入最高的第23部電影。

6

被提名為奧斯卡獎(jiǎng)的最佳導(dǎo)演（1969年） -阿瑟佩恩

被提名為美國(guó)作家協(xié)會(huì) 獎(jiǎng)為直接寫(xiě)在屏幕最佳戲劇（1970） -赫恩登范納寶，阿瑟佩恩

第三名 - 勞雷爾獎(jiǎng) - 金色桂冠喜劇（1970）

獲得英國(guó)電影電視藝術(shù)學(xué)院 獎(jiǎng)提名 - 安東尼阿斯奎斯電影音樂(lè)獎(jiǎng)（1971年） - Arlo Guthrie

*** *** *** *** *** References *** *** *** *** ***

^ "All-time Film Rental Champs", Variety, 7 January 1976 p 46

^ "Box Office Information for Alice's Restaurant". The Numbers. Retrieved February 26, 2012.

^ Cummings, Paula (November 21, 2017). Interview: Arlo Guthrie Carries On Thanksgiving Traditions And Fulfills Family Legacy. NYS Music. Retrieved October 25, 2018.

^ Zimmerman, Paul D. (September 29, 1969). "Alice's Restaurant's Children." Newsweek, page 103.

^ Doyle, Patrick (November 26, 2014). Arlo Guthrie looks back on 50 years of Alice's Restaurant. Rolling Stone. Retrieved November 29, 2014.

^ Arlo Guthrie's Alice is alive, glad to be here. The Wall Street Journal via the Pittsburgh Post-Gazette (November 22, 2006). Retrieved September 8, 2017.

^ Brown, Jane Roy (February 24, 2008). After Alice's restaurants. The Boston Globe. Retrieved October 24, 2015.

^ Giuliano, Charles (March 27, 2014). Alice’s Restaurant Returns to the Berkshires. Berkshire Fine Arts. Retrieved October 24, 2015.

^ James Grady, "Thanksgiving at Alice's Restaurant: The Guthries' American Dream Lives On", Politics Daily, 25.11.2009.

^ Zimmerman, Paul (September 29, 1969). "Alice's Restaurant's Children". Newsweek: 101–106.

^ Arthur Penn (2008). Arthur Penn: Interviews. Univ. Press of Mississippi. ISBN 978-1-60473-105-7.

^ M. Chaiken and P. Cronin (eds), Arthur Penn Interviews. University Press of Mississippi, 1998, p. 65.

^ M. Chaiken and P. Cronin (eds), Arthur Penn Interviews. University Press of Mississippi, 1998.

^ Cineaste (December 1993). "Arthur Penn Interview". cineaste. XX (2). Archived from the original on 14 September 2013. Retrieved 10 April 2014.

^ Siskel and Ebert Top Ten Lists. Retrieved April 22, 2014.

^ Awards Information for Alice's Restaurant. IMDb. Retrieved April 22, 2014.

*** *** *** *** *** External links*** *** *** *** ***

^Alice's Restaurant on IMDb

^Alice's Restaurant at the TCM Movie Database

^DVD Times Review